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Introduction
to Magic

 

 

 

 


Introduction to Magic

What is Magic?
Aleister Crowley defined Magic as the art or science of combining events with the intent of the necromancer. According to this definition, the necromancer is constantly seeking to realize his/her Higher, Divine Self. Once he/she has found it, he/she becomes a divine incarnation and thus gains the right and the power to change the universe according to his/her intent. Dion Fortune defines Magic as the art of changing ones own consciousness at will.

For me, Magic is the energy which gives life to the cosmos. As a necromancer, a sorcerer may use these energies for his/her own purposes but must be responsible with their application.

True Magic is a harmonic co-existence with the cosmos. It does not necessarily need elaborate rituals with impressive ‘fireworks’.

 

The Elements of Magic
Necromancers often use the magical elements of Earth, Water, Fire and Air. These cannot be found on the periodic table of elements because the nature of their effect is spiritual, not chemical. Their symbolic significance is as follows:

Earth is solid, dark, fertile, rich, and sloooow.

Water is deep, emotional, visionary, and suggestible.

Fire is dramatic, creative, powerful, and sometimes destructive.

Air is visionary, intellectual, quick, and often short-lived.

Black or White Magic?
First, let it be known that Magic itself is neither ‘black’ nor ‘white. The necromancer gives it direction! If Magic is abused to harm someone, then it is ‘black’. On the other hand, if Magic is used to try to help someone, then it is ‘white’. Many mistakenly believe that ‘black’ magic is stronger than ‘white’ magic. This is also erroneous! Magic is fundamentally only as strong as the will, the faith and the creative imagination of the necromancer. These three are the pillars on which Magic stands – or falls! Additionally, one should definitely avoid the so-called ‘black magic practices’! For everyone is ultimately responsible, under the divine plan, to account for what they have done and what they are doing.

These are the two most important rules:

Everything you send out returns to you three-fold!
… This relates to the good as well as the bad!

Do what you like as long as it harms no one!
… This also means you should not harm yourself! Magic can, however, be classified as positive and negative. These classifications are related to the moon phases. Positive Magic consists of magical rituals and actions which are designed to gain or achieve something. The waxing moon phase is the time for this. In contrast, negative Magic contains spells with which we want to diminish, lose or get rid of things. The waning moon phase is ideal for this.
Examples for positive Magic: spells to increase health and achieve goals.
Examples for negative Magic: spells to help lose weight, avoid something or give protection from something.

 

Magic and Ethics:

Everyone who examines Magic will soon or later come across a crucial question:
Is it at all ethical to use a power which has virtually unlimited potential? Is it right to access human fate and try to change it? Can we even imagine what sort of circumstantial effects our work may have? Wouldn’t it be better to just refrain from it?

These are all questions which each human being can and must answer for themselves. The only deciding factor here is one’s own moral conviction – education, cultural background and religion play a role here. I think that no one can make their own personal opinion and ethical or moral conviction into a rule for EVERYONE. We may also consider, in this context, that even though we may not use Magic, we make decisions and take actions on a daily basis which influence not only our fate but that of many others. Our life demands actions and decisions. We also, consciously or subconsciously, use many devices to reach our goals.
We may simply call this psychology or common sense, but we may all use a little Magic – unconsciously. The borderlines are not clearly defined – it is often just a matter of definition.

Therefore search and compare; probe and experiment.

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